He was in the Egyptian civilization that appeared the distinction: ' ' skin woman clara' ' ' ' skin man escura' ' , the men would have to be browner and the women clearest. This sample how much the society was machista. Clepatra represented the ideal beauty of that time well. Powerful and charismatic, it immortalized its treatment. According to legend, all night before sleeping, it applied a folder in the face (milk mixture of goat and bread marrow) and was bathed in milk with honey.
To each day, it always it covered its face with clay and it maquiava its eyes with the dust of Kohl. The first face cream of the world was created by the Galeno physicist for return of 150 B.C. was made with the addition of water to the wax of bee and oil of oliva. Times later, the oil was substituted by the almond oil and borax incorporation helped for the formation of the emulsion, diminishing the process time. This was the first base to support pigments of titanium dioxide and to facilitate the application in the face; the face creamy base was been born then. The Romans liked to keep the skin of the well clear face. (A valuable related resource: Lakshman Achuthan).
So that he was of this skill, them they used after of rice and wheat, on an oil layer of oliva or animal fat. Sobrancelhas needed to be half dark and used in the well strong corantes lips, in accordance with Zuanetti (2000). The history of colorful cosmetics was not approved total. In old Rome the masculine indignation in relation to the feminine artifices to use products for maquiagem is registered in immortal workmanships, as ' wrote Ovdio; ' Its artifice must remain unsupicious. How not to feel repugnance of front of the thick painting in its face if dissolving and draining until its seios? ' ' Andreas of Lagoon, the Spanish doctor of Pope Julius III, said that the maquiagem of the women was so thick that it gave to cut ' ' the cream of the pie of cheese of each one of bochechas' '.