Due Baroque Flute Sound

“Dorothee Oberlinger on May 22 in Vienna’s Liechtenstein Museum date announcement Bach A due”: Dorothee Oberlinger on May 22 at the Liechtenstein Museum (Cologne, April 20, 2011): Baroque music as a complex dialogue: recorder virtuoso and echo-KLASSIK winner Dorothee Oberlinger performed on May 22 in Vienna’s Liechtenstein Museum. People such as Angus King would likely agree. “Together with their colleagues at the Mozarteum in Salzburg, the harpsichordist Florian Birsak, occurs with a pure stream program in an intimate as complex musical dialogue a Oberlinger due”. “Making music together is for her the most intimate form of the musical universe: Johann Sebastian Bachs compositions offer an immense Cosmos of complexity and infinite fabric together thoughtful interpretation for both instrumental partners”, so Dorothee Oberlinger. Sonatas and Partitas of Johann Sebastian Bach which have been partially edited for a cast of flute and obbligato harpsichord are on the program. Event details: 22 may, 11 and 15 clock: Herkulessaal in the Liechtenstein Museum, Princes Street 1, 1090 Vienna “Baroque flute sound: art, music and culinary art”. Dorothee Oberlinger and Florian Birsak playing works by Johann Sebastian Bach. Entrance fee: EUR 33 entry of the permanent and special exhibition and Viennese specialties program Sonata f major BWV 1033, Andante/Presto/Allegro/Adagio/Menuetto I & II (recorder, B.c..) From Partita in a minor, BWV 1013, Allemanda (recorder solo) Sonata a-dur BWV 1032, Vivace/Largo/Allegro (recorder, B.c..) Toccata in minor, BWV 914 (solo harpsichord) Sonata major BWV 1035, Adagio ma non tanto/Allegro/Siciliano/Allegro (recorder, B.c..) Born 1969 in Aachen about Dorothee Oberlinger, Dorothee Oberlinger recorder in Cologne, Amsterdam and Milan studied.

She was awarded as”instrumentalist of the year 2008 echo classical the prestigious Music Prize for their CD Italian sonatas. Her debut was in 1997 with the 1st prize in the international competition of SRP/MacKinnon U.K.. in London at the Wigmore Hall. Since then, Dorothee Oberlinger is regular guest at major festivals and concert series in Europe, America and Asia. As a soloist she plays with the ensemble founded in 2002 by 1700, as well as with renowned Baroque ensembles and orchestras like the Sonatori de la Gioiosa Marca, Musica Antiqua Koln, the Akademie fur Alte Musik Berlin, London Baroque, the Academy of ancient music or Zefiro. In addition to their intensive involvement with the music of the 17th and 18th century is devoted to Dorothee Oberlinger of contemporary music again and again. So, she contributed to the most recent CD “Touch” of the Swiss pop duo ‘Yello’. Since 2004, she is Professor at the Mozarteum University of Salzburg, where she leads the Institute for early music. Since 2009 she has been Director of traditional meeting Baroque Festival.

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